Tuesday, October 30, 2018

What I've Been Reading: October 2018

Well, it was bound to happen. I have hit a bit of a reading lull, or at least it feels that way, somehow. There have been a few titles that I've finished within a day or two this past month, but everything else has been mostly read simultaneously, a few pages at a time--to me, that just feels less fulfilling. Anyone else?

In any case, here we go!


A Man Called Ove, by Frederik Backman. I've held off on this one, which I know so many people have read and loved, because I knew my bookclub would read it and I wanted to wait. So now we've met, and I've read it! Ove is the neighborhood curmudgeon, keeping the world at arm's length and subscribing to a merciless sense of fair play. We meet him on one of his darkest days, which is turned around by a chance annoyance--a new family moving in, and making a hash of things in the process. Ove, who has not let anyone into his life in such a long time, soon finds himself surrounded by people who need him, and it is only most reluctantly that he acknowledges his need for them, too. A fast read, and an inspiring one. I very much enjoyed it, and it made for excellent discussion with the book club members.

A Breath After Drowning, by Alice Blanchard. Child psychiatrist Kate Wolf is devastated when one of her young patients commits suicide. Still reeling, she takes on a new patient, a girl abandoned at the hospital by her mother. Her confidence shaken, Kate doubts her ability to help her new patient, only to find the girl and her family have ties to Kate's own past, forcing her to acknowledge her own personal tragedy. While the plot here is fascinating, I found the style abrupt, almost as though too much of the story had been edited out--it felt like there were holes and that I was having to infer an awful lot. Sadly, not my favorite.

Leave No Trace, by Mindy Mejia. Ten years ago, a man and his son disappeared into the acres of forest in Minnesota near the Boundary Waters, and the townsfolk have presumed them dead for years. Now, the son has reappeared, found ransacking an outdoor equipment store. Violent and uncommunicative, he's sent to the local psychiatric facility where he chooses only to communicate with speech therapist Maya. He's still unwilling to share all of his secrets: where they've been, why they disappeared, why he came back. And Maya certainly has secrets of her own, including the reason she wants to help him return to the wild and his father. Beautifully written in taut, spare prose, this is a suspense novel to be savored--I didn't want to miss the smallest detail.

Lost Girls: an unsolved American mystery, by Robert Kolker. In 2010, the remains of five young women were found on the same Long Island Beach, all of them sex workers who had once used Craigslist to post their ads. Kolker investigates their individual pasts, their disappearances, the police investigation, and the nearby gated community which appears to be peopled with very private citizens, all with something to hide. The five women are all believed to have been killed by the same person, called the Long Island Serial Killer or LISK (sometimes also called the Gilgo Beach Killer or the Craigslist Ripper). I'm on a true-crime jag, and this was compellingly written. The case is currently still unsolved.

Something in the Water, by Catherine Steadman. I read this on a recommendation from a coworker, who said she couldn't put it down. I can concur, it was absolutely gripping. In a novel where you start at the end and work backward, we meet Erin while she's digging a grave for her husband. It is only as we track back her relationship with her husband, their recent wedding and their honeymoon in Bora Bora that we slowly get the picture of how she has come to this desperate situation, a young documentary film-maker, now a widow, hiding a body in the English countryside. Steadman's debut is excellent, and I look forward to her next outing.

Orphans of the Carnival, by Carol Birch. Julia Pastrana was a wonder of her time, a queen of the freakshow, touring New Orleans, New York, London, Vienna, and Moscow. Today, she would be diagnosed with hypertrichosis terminalis, but in the mid 1800s, physicians declared she was half brute, half human--as an act, she was often called the Bear Woman. Fluent in English, Spanish and French, Julia was also an accomplished musician and dancer with an excellent singing voice. Leaving the small Mexican village where she grew up in hopes of a better life with the sideshow troupe in New Orleans, Julia seeks happiness and perhaps love, which she finds with Theodore Lent. Based on a true story and framed in Birch's flavorful prose, this was a delectable read.

The Home for Unwanted Girls, by Joanna Goodman. Maggie is a young woman in Quebec in the 1950s, her mother French and her father English. Caught between two worlds, she is pushed to reject her French background, only to fall for a French boy who lives on a neighboring farm. Maggie becomes pregnant and is sent away, forced to have her baby in secrecy and give her up immediately. Elodie grows up in Quebec's impoverished orphanage system, only to have all orphanages turned into mental institutions by governmental decree--as a result, Elodie and thousands of orphans like her are declared mentally ill. Told in two parts that intertwine but never touch, the stories of Maggie and her daughter are hauntingly poignant. I'd recommend this to readers who liked Lisa Wingates's Before We Were Yours.

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